And as we're seeing in the US and the world around, authoritarians seek to poison the discourse and the way we relate to each other because they can't stand people coming together around a shared sense of the truth-it's a huge threat to them. An unwavering commitment to it is probably what draws you to Mother Jones' journalism. I was just different.īy signing up, you agree to our privacy policy and terms of use, and to receive messages from Mother Jones and our partners. And in that moment, I realized I was not broken. Yes, I kissed a girl and I didn’t just like it. I had resigned myself to a life without love, when on a balmy night in my senior year of college, my female roommate and I stepped out onto the sidewalk and fell into a passionate kiss. Just a few years before, in my early 20s, I had concluded that something inside of me was broken. But it was more than that: Like most humans, I didn’t want to put myself in a box. What if my sources stopped talking to me? It wasn’t just an idle concern. It felt strange to thrust myself into the spotlight. Like Saul and Sandy, I’m an observer by nature. Besides, I was a journalist, an outsider. You had to tell people over and over again.
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There was no social media where you could simply declare yourself to be something other than straight and then watch the consequences unfold. My experience back in 1987 was that if you didn’t purposefully and repeatedly out yourself, you were not out. This was a time when the gay world often existed separately from the straight one, and before cameras were everywhere. And the pictures they took were intimate and close.īut when Saul and Sandy asked to shoot the brunch (or maybe-I can’t remember to be honest-I invited them) they were putting me in a place I hated and loved at the same time.Ī heads up: Some of these photos contain nudity.ĭykes on Bikes ride down Market St. Instead, they got close to their subjects. They purposely eschewed the long lenses favored by newspaper journalists, who seemed focused only on the spectacle. Saul and Sandy wanted to capture the celebration, the love, and the rage, and in so doing, to capture the heart of a movement.
![gay pride 2021 sf gay pride 2021 sf](https://s.abcnews.com/images/US/pride-4-gty-aa-200602_hpEmbed_3x2_992.jpg)
Unlike other photographers, he didn’t “just see people jumping around and dancing,” he says. “It was this kind of test I was giving myself: Can we document this movement that is also a parade?” Saul remembers. The pair started shooting the parades in 1984 because they believed they were witnessing history.
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So Saul and Sandy came to our pride brunch with cameras in hand.
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It was the height of the AIDS epidemic, and anger at the world’s indifference to the disease was growing, generating radical groups like ACT Up (AIDS Coalition to Unleash Power). In retrospect, it seems inevitable that I would bring along Saul Bromberger, a photographer at the East Bay newspaper where I was a reporter, and his then girlfriend and now wife, Sandra Hoover.Īt the time, Saul and Sandy were already four years into a project that would last until 1990: documenting the San Francisco gay pride parade. I can’t remember exactly how we all ended up going to Gay Pride brunch together at my friend Marta’s house that Sunday morning, in June of 1988.
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